{"id":248,"date":"2021-01-30T13:01:49","date_gmt":"2021-01-30T12:01:49","guid":{"rendered":"http:\/\/simondiard.fr\/?page_id=248"},"modified":"2021-03-26T19:08:33","modified_gmt":"2021-03-26T18:08:33","slug":"comme-un-zeppelin-creation","status":"publish","type":"page","link":"https:\/\/simondiard.fr\/?page_id=248","title":{"rendered":"CREATION 2012 \/ LA LOGE \/ THEATRE DU CERCLE"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"369\" height=\"1024\" src=\"https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto-369x1024.jpg\" alt=\"\" class=\"wp-image-392\" srcset=\"https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto-369x1024.jpg 369w, https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto-108x300.jpg 108w, https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto-553x1536.jpg 553w, https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto-600x1666.jpg 600w, https:\/\/simondiard.fr\/wp-content\/uploads\/2021\/01\/flyer_recto.jpg 638w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/figure><\/div>\n\n\n\n<p style=\"font-size:15px\">Construit sur le mod\u00e8le d\u2019une playlist,<em> <\/em>ce spectacle s\u2019attaque \u00e0 la forme fragmentaire. Le morceau, pens\u00e9 \u00e0 la fois comme autonome et pris dans une logique de r\u00e9sonance, est un des points de rencontre entre l\u2019\u00e9criture de Simon Diard et la musique de Vincent Malassis. Articul\u00e9s, les fragments ne reconstituent pas une fable, m\u00eame boulevers\u00e9e dans sa structure, mais sont comme les instantan\u00e9s d\u2019un monde en chute libre, o\u00f9 les figures incarn\u00e9es par Fanny Bouffort risquent \u00e0 tout moment de glisser du statut protecteur de cr\u00e9ateur (narrateur) au statut expos\u00e9 de cr\u00e9ature (personnage). <\/p>\n\n\n\n<p style=\"font-size:15px\">Dans&nbsp;<em>Comme un zeppelin en flammes dans son vol de retour<\/em>, le dramatique est un pi\u00e8ge qui se referme. Prendre corps conduit sinon \u00e0 sa propre fragmentation \u00e0 la vuln\u00e9rabilit\u00e9. Le personnage se trouve projet\u00e9 dans un monde en mouvement constant, au centre de paysages sonores hostiles ou de nappes enveloppantes, menac\u00e9, toujours en passe de s\u2019\u00e9chapper dans la vision.<\/p>\n\n\n\n<p style=\"font-size:15px\"><strong>production<\/strong>&nbsp;Compagnie Planches-Contacts, avec le soutien de la Maison Zusvex et du Th\u00e9\u00e2tre du Cercle.&nbsp;Cr\u00e9e en cor\u00e9alisation avec La Loge.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Comme un zeppelin (extrait 2)\" src=\"https:\/\/player.vimeo.com\/video\/30011703?dnt=1&amp;app_id=122963\" width=\"525\" height=\"295\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Construit sur le mod\u00e8le d\u2019une playlist, ce spectacle s\u2019attaque \u00e0 la forme fragmentaire. Le morceau, pens\u00e9 \u00e0 la fois comme autonome et pris dans une logique de r\u00e9sonance, est un des points de rencontre entre l\u2019\u00e9criture de Simon Diard et la musique de Vincent Malassis. Articul\u00e9s, les fragments ne reconstituent pas une fable, m\u00eame boulevers\u00e9e &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/simondiard.fr\/?page_id=248\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;CREATION 2012 \/ LA LOGE \/ THEATRE DU CERCLE&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simondiard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=248"}],"version-history":[{"count":11,"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":610,"href":"https:\/\/simondiard.fr\/index.php?rest_route=\/wp\/v2\/pages\/248\/revisions\/610"}],"wp:attachment":[{"href":"https:\/\/simondiard.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}